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CONCEPTION, DESIGN, PROGRAMMING (Joomla!), LOGO | 2010 |
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Attack of the Lederhosenzombies |
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SOUND DESIGN, FOLEYs and MUSIC for a layout tease/trailer | July 2009 
This is the layout teaser for the upcoming zombie/splatter freeski/snowboard movie "Attack of the Lederhosenzombies" by Dominik Hartl |
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SOUND DESIGN and MUSIC for a short film by Dominik Hartl | March 2009 
Director: Dominik Hartl vimeo.com/dominikhartl Cinematography: Laszlo Vancsa | Art Directors, Costume Design: Jakob Brossmann, Hanna Oellinger | Sounddesign, Music: Matthias Hafner | Cast: Christian Erdt, Patrick Bongola, Stephan Bartunek, Gerald Kainz, Mathias Gruber | School: Film Academy Vienna / University of Music and Performing Arts Vienna | Year: 2009 |
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MUSIC and SOUND for a short film by Arnold Graggaber | March 2009 
Director: Arnold Graggaber Cinematography: Marc Schlegel | Sound, Music: Matthias Hafner | Production: Monja Art | Cast: Judith Mauthe, Viktoria Müller, Laszlo Vancsa, Torsten Büsing | School: Film Academy Vienna / University of Music and Performing Arts Vienna | Year: 2009 |
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an ELECTRO-ACOUSTIC VIDEO | January 2009
This piece was first shown at echoraum (Vienna) at January 24th. |
| | | | | | Written by Gert Jonke | Directed by Martin Gruber | Assistant Director: Lukas Czech | Scenic Design, Costume Design: Valerie Lutz | Dramaturge, Production: Martin Ojster | Music by Stephan Sperlich and Tini Trampler | Sound Design by Daniel Hafner and Matthias Hafner | with Maximilian Achatz, Babett Arens, Werner Landsgesell, Kirstin Schwab, Roswitha Soukup, Gert Jonke. World Premiere on June 27, 2008 at Bregenzer Frühling, Theater am Kornmarkt, Bregenz Aktionstheater Ensemble | | | | | |
SOUND DESIGN for a play by Gert Jonke | in collaboration with Daniel Hafner | June 2008 More…
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C-Print on aluminium, 33 x 22 cm | 2007  |
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PEEP ATELIERS is a project that asks for an estimation of working time from consumers of cultural goods. Each artist partakes in society and therefore is restricted to modes of payment in everyday life. Rent and other monthly accounts as well as all kinds of daily bills occur in a unitary societal cycle. Each line of business has a distinct mode of payment and a reasonably transparent pricing policy. Art, however, doesn’t, but why? Is it presumptuous to claim a minimum rate? In how far does art change in the context of standardized methods of production? What’s the worth of an artist’s working hour? It’s our aim to ask these questions at the Forum Festival 2007. PEEP ATELIERS is an arrangement of three booths of 4m² floor space in each of which artists like writers, painters, graphic designers, or musicians are eager to be ‘activated’ by potential consumers through a system similar to that of vending machines, i.e. a consumer is given the chance to make a claim on an artist for an indefinite amount of money. Through the insertion of a coin / coins a countdown is set, which predetermines a fixed lapse of time that is activated by the artists themselves during which they must conceptualize and realize a product. After the time has expired the artist hands a piece of art over to the customer. 1 Euro equals 4 minutes working time, insert 2 Euros and your piece of art will be produced in 8 minutes, 3 Euros and the artist of your choice has 12 minutes to prove her/his skills, etc. Time seems to run out too fast but that’s exactly what artists as well as consumers have to overcome. PEEP ATELIERS entails ‘unconditionalization’ – claims for quality, quantity as well as performance are way out of place. | INSTALLATION at Forum Festival 2007 "GOLD - Armut war Gestern" | April/March 2007 Forum Stadtpark Graz | a collaboration with Arnold Graggaber In PEEP ATELIERS Arnold Graggaber und Matthias Hafner deal with wage labor in culture industry. It’s a project that calls into question how consumers of cultural goods estimate working time financially. More… < Documentation > (PDF, German) |
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3 portraits, C-Print on aluminium, 85 x 60 cm | 2005 
exhibition-view How much attention do we give a piece when we look at it? Do we simply see three simple portraits or is there more behind this? Radical interventions in the pictorial reality which seem very discreet and hardly noticeable are supposed to irritate the viewer only at closer scrutiny. This work has been exhibited in the smallest gallery in Graz in July 2006 and published at European Month of Photography 2006. One Of My Two Brothers @ www.photographie.com |
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C-print, 100 x 250 cm, 2004 
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